愛着

ひとにとってはどーでもよいことでも、本人はいたってまじめに取り組んでいて、いつも同じことをしていて、意味不明で、まわりの人は同じものがたくさんあっても仕方ないじゃない、本人はひとつひとつのちがいが、違うでしょ、と思いながら、どうでもいいことには価値を見出さないかと、

お店の人も、それは全部イギリスのアンティークです、毎回説明してくれるけど、毎回新鮮におどろく、毎回聞いていないのだな、どこのものか、年代が古いとか、価値基準がはっきりしていて、値札も相応なのか、ただ、欲する側はそこを見ていなくて、形とか、大きさとか、厚みや小口の手触り、材質が醸し出す雰囲気なんかを頼りに選り分けて、

今日は何本ですね、と言われながら所望し、目黒と恵比寿の間に1,2ヶ月毎に3回ばかり通っている中華屋さんへと続く道の途中に誘惑されるアンティークショップがあり、カトラリー好きのスプーンフェチなので、まっすぐそこへ、スプーンめがけて行くのははばかるから、好きものは一番最後に食べるので、他のものが気になりつつ、たまたまスプーンを見つけて見入ってます体なのだが、3回目ともなると、この前もスプーンでしたねとバレバレなので、次回はまっすぐスプーンめがけて、ただ、そこのスプーンは全て穴が空くぐらい見てしまったので新鮮味がもうないかも。

たぶん縄文人も木のスプーンを使っていただろうぐらいに、原始的な道具、変わりばえしない機能、だから、何でもあり、どうにでもなるからか、意外と形も大きさも厚みなどにバリエーションがあり、バリエーションをつくりやすいのか、

1番のフェチポイントは柄の厚み、ここの厚みが変化していたり、薄く一定だったり、微妙に曲がっていたり、カトラリーをつくる時はわざと微妙に柄の部分を曲げてみようかな、何の意味もなく、ただ、こういうのは曲げれば、意味は後付けで見つけるもので、それが道具として手放せないものになるところだったり、こういう製作時の自然な、許せる、有りなブレみたいところが今のカトラリーには無い、道具に愛着は必要なのに、そこが愛着ポイントになるのに。

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For the people, whatever they are, they are always working seriously, always doing the same thing, meaningless, and it is no wonder if there are many same people around them, each one is one person While thinking that they are different, they may not find value in any kind of thing,

The shop staff are all British antiques, but I will explain them every time, but I am always fresh and shocking, I have not heard each time, where are they, what is the age, and the value standard is clear The price tag is also appropriate, but only the side that wants it is not looking there, depending on the shape, the size, the thickness, the texture of the small part, the atmosphere that the material brings out, and so on,

There is an antique shop that is seduced on the way to the Chinese restaurant, which goes about 3 times every 1 to 2 months between Meguro and Ebisu. Because it is a spoon fetish like a cutlery, it is not good to go straight there or to go with a spoon, so the last thing you like is, so while you care about other things, it happens that you find a spoon and you're on the body As it was the third time, I used to use a spoon last time, so I took a straight spoon on the next time, but I just saw all the spoons there are holes, so there may be no fresh taste.

Perhaps as much as the Jomon people would use a wooden spoon, there are variations in shapes, sizes, thickness, etc., surprisingly, because they are primitive tools, functions that do not change, and so anything, because they do anything. Is it easy to make variations?

The first fetish point is the thickness of the handle, the thickness here is changing, it is thin and constant, or it is slightly bent, or when making the cutlery, let's try to slightly bend the portion of the handle intentionally, what it means No, but if this is bent, the meaning will be found later, and it will be something that can not be released as a tool, or such a natural, forgiving, kind of blurry place like this at the time of production will be the cutlery of today There is no need to attach to a tool, but it becomes an attachment point.

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